That's it, folks.
Once all these sandiwara incidents have blown over - and they will, whether it's days after Sept 16 or a few more months from now, do keep that in mind people, as I'm sure the clear-headed among us will - I want to start figuring out how to dramatise the events leading up to Sept 16 or whenever it is that Pakatan Rakyat is taking over the government (assuming it does happen, on that day or soon after).
Well, to be honest no one knows exactly what will happen in the next few days, not even Anwar can be sure. Point is, whatever it is, we Malaysians will be looking back at these past few days in the future, with an eye to analyse it, find meaning to it, etc.
And I'm thinking of making a movie in vein of Stephen Frears' The Queen (screenplay by Peter Morgan). That movie started with a prologue about Tony Blair and his New Labour party coming into government, and then spends the rest of the movie detailing the 7 days after Princess Diana's death and the royal family's crisis, and then a short epilogue.
Which, I think, is the perfect story structure to use to tell the dying days of the BN government (again, assuming it happens). Let's face it, we don't know what will happen (the exact opposite could happen, for example), but let's say it happens according to Anwar's plan, just for instance. What will the movie be like?
Prologue: the March 8 Elections, a sort of montage sequence, introducing the characters. Then the 7 days leading up to the Sept 16 date, which will include the dramatic ISA arrests (or 7 weeks, so that we can include Anwar's arrest too? dunno whether that is important yet). Then a short epilogue, or just simple title cards explaining what has happened since then.
Criteria: the movie has to have a certain style, which I've seen ONLY in Western films, most especially in British filmmakers such as Paul Greengrass (United 93) and Gabriel Range (
Death of a President: The Assassination of George Bush), which stresses a documentary, truthful feel to the storytelling, which I do not think has ever appeared in any Malaysian movie. (Many indie Malaysian movies do have a documentary approach thanks to the usage of home-video camcorders and long takes ... but boy are they artsy or symbolic/metaphorical, so they don't count.) I suspect a lot of Malaysian filmmakers wouldn't like that sort of style, or find fault with it. Anyway, that's the style I would adopt.
Other criteria: stick to the raw truth. No dramatisation to smoothen out the plot, as is common in Hollywood. (Or 1957: Hati Malaya or Leftenan Adnan - urgh ... - for that matter.) No bias to either side of the story. Very important.
More criteria: figure out later.
I dunno why, but I figured such a movie - assuming done well, certainly by no means guaranteed - is an easy (and more plausible than Puteri Gunung Ledang, for example) way to garner an Oscar nomination for Best Foreign Language film ... at least to make the short list.